A aparência dos seus documentos, feita e compartilhada por quem escreve com o Textus.

One Dark & One Light, um tema para o Textus

One Dark & One Light

por @CatVinci-Studio · MIT

A coder's favourite for writing: One Light by day and One Dark at night, blue links, headings stepping through purple, blue, green and gold, and code in the same colours. On the Atom One palettes.

Rosé Pine, um tema para o Textus

Rosé Pine

por @CatVinci-Studio · MIT

Soft and natural: Rosé Pine Dawn's warm paper by day and Rosé Pine's deep night after dark, iris accents, pine links and rose quotes. On the Rosé Pine palette.

Solarized, um tema para o Textus

Solarized

por @CatVinci-Studio · MIT

Calm, low-glare colours for long reading: Solarized's warm light page by day and its deep blue-green one at night, blue links, cyan and green headings and orange code. On the Solarized palette.

Tokyo Night, um tema para o Textus

Tokyo Night

por @CatVinci-Studio · MIT

Clear and electric: Tokyo Night Day's pale blue page by day and the Night palette after dark, blue headings, purple and cyan accents, and code in the same colours. On the Tokyo Night palette.

Cards, um tema para o Textus

Cards

por @CatVinci-Studio · MIT

For notes you keep in order: quotes, code, tables and callouts each sit in a rounded card on a soft grey page, with an indigo accent, and level-2 headings open a section over a rule. Layout and colours after Border, our own CSS.

Compact, um tema para o Textus

Compact

por @CatVinci-Studio · MIT

More on a screen without crowding it: a 15 px sans with tight lines and paragraphs on warm Gruvbox paper, headings set apart by colour rather than size. For lists, logs and quick notes. Density and colours after Shimmering Focus, our own CSS.

Contrast, um tema para o Textus

Contrast

por @CatVinci-Studio · MIT

Clear for long reading and research notes: near-black on a cool white page, 18 px type, red and navy headings, links always underlined, a firm rule under top headings and code set apart by a border. Body text meets WCAG AAA. Colours after ITS, our own CSS.

Outline, um tema para o Textus

Outline

por @CatVinci-Studio · MIT

For plans, to-dos and outlines: a clean sans on a cool white page, headings that change colour by level, pink bold and teal quotes, and roomy list items. Colours after Things, our own CSS.

Reading Room, um tema para o Textus

Reading Room

por @CatVinci-Studio · MIT

Like reading a well-set book: a large serif on warm paper in brown ink, wide lines and generous paragraphs, bold in red, italics in blue and links in gold; a lamp-lit page after dark. Colours after Primary, our own CSS.

Misty, um tema para o Textus

Misty

por @myshzzx · MIT

Misty from Typora, made over for Textus: soft green-to-blue headings, numbered sections and gentle callouts, one file that follows light and dark. After Misty by E-Tiger Studio (MIT), with ideas from VLOOK.

Article, um tema para o Textus

Article

por @CatVinci-Studio · Apache-2.0

Like a typeset paper: a Computer Modern style serif, numbered sections, booktabs tables and plain links, on white or on black. After LaTeX Typora by shamsghi.

Codex Mono, um tema para o Textus

Codex Mono

por @CatVinci-Studio · MIT

A writer's terminal: every word in a coding font, a centred title, one slate colour for headings, tinted quotes with a coloured bar and outlined highlights. After Drake by liangjingkanji.

Fjord, um tema para o Textus

Fjord

por @CatVinci-Studio · MIT

Arctic and calm: a snow-storm page by day and polar night after dark, headings and links in Nord's frost blues and a double quote rule. On the Nord palette.

Inkpaper, um tema para o Textus

Inkpaper

por @CatVinci-Studio · MIT

Ink on paper: a warm paper page and a near-black one, headings in ink, cyan links and quiet code. On Flexoki by Steph Ango, https://stephango.com/flexoki.

Latte & Mocha, um tema para o Textus

Latte & Mocha

por @CatVinci-Studio · MIT

Soft pastels for long sessions: a cool latte page by day and a deep mocha one at night, a mauve title, blue section heads, lavender quotes and a rosewater bold. An unofficial port of the Catppuccin palette.

Lazuli, um tema para o Textus

Lazuli

por @CatVinci-Studio · MIT

Indigo and clear: a centred title, level-2 headings on a solid blue band, serif headings over a sans body, blue bold and blue list markers. After Lapis by YiNN.

Nosferatu, um tema para o Textus

Nosferatu

por @CatVinci-Studio · MIT

Vivid and nocturnal: the classic dark purple-grey page with neon accents, and a warm cream day page with deeper ones. On the Dracula and Alucard palettes.

Retro Wood, um tema para o Textus

Retro Wood

por @CatVinci-Studio · MIT

Colours of an old woodblock print: Kanagawa's lotus paper by day and the deep ink of the wave at night, indigo and violet headings, a red bold and soft green strings. On the Kanagawa palette.

Tidepool, um tema para o Textus

Tidepool

por @CatVinci-Studio · MIT

Fresh and lively: level-2 headings on a mint pill, small markers before the smaller headings, a dashed rule and tinted quotes, with a calm sea-dark night. After Phycat by sumruler.

Plain, um tema para o Textus

Plain

por @CatVinci-Studio · MIT

Textus's default look without the heading marks: the same type and colours, with plain level-3 and level-4 headings.

Manuscript, um tema para o Textus

Manuscript

por @CatVinci-Studio · MIT

A typewritten draft: typewriter type on off-white paper, a narrow page, uppercase headings with section marks and a ribbon-red accent.

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  1. No Textus, abra Ajustes › Extensões.
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Todas as extensões aqui são gratuitas e de código aberto. Antes de instalar um plugin, o Textus mostra as permissões que ele pede.